
Cementing its pivotal role in the industry, the Venice International Film Festival 2024 blended artistic vision with high-profile premieres and red-carpet glamour. One of the most influential events in global cinema, the 81st edition of the festival showcased 21 films in competition, running from August 28 to September 7. Venice’s growing influence as a launchpad for the awards season was evident in its impressive lineup of movies and stars.
Pedro Almodóvar’s “The Room Next Door” emerged as the festival's crowning achievement, winning the Golden Lion for Best Film. The Spanish director’s first English-language film mesmerized the audience and received a 17-minute standing ovation, becoming a possible Oscar frontrunner. Starring Tilda Swinton and Julianne Moore, the emotional story about friendship and mortality explores themes of illness and human connection. Jury president Isabelle Huppert praised the film for its profound storytelling, calling attention to the strength of the performances and Almodóvar’s direction.
Another much-anticipated film was Pablo Larraín’s “Maria,” starring Angelina Jolie as the legendary opera singer Maria Callas. Jolie’s portrayal masterfully captured the diva’s vulnerability in 1970s Paris. Though it did not win major awards, “Maria” was acquired by Netflix and is expected to be a key player in the upcoming awards season, adding depth to Larraín’s ongoing exploration of iconic women, following his previous works “Jackie” and “Spencer.”
The red carpet buzz peaked with appearances by Brad Pitt and George Clooney, who presented their new film “Wolfs.” Lady Gaga, Joaquin Phoenix, and Daniel Craig, further elevated Venice’s profile as a destination for cinema and stardom. Angelina Jolie, Nicole Kidman, Isabelle Huppert, and Cate Blanchett dominated the style stakes with their impeccable fashion choices, exuding class and sophistication in every appearance. This impressive turnout marked a significant change from last year, as many stars were absent due to industry strikes.
Under the leadership of Alberto Barbera, the festival has grown in stature, serving as a space where both mainstream and independent films receive equal attention. Isabelle Huppert, presiding as this year’s jury president, added distinguished relevancy to the event. A two-time Coppa Volpi winner, Huppert’s expertise is a testament to her vast filmography, and decades of commitment to bold, artistic cinema.
Venice continues positioning itself as a key stop on the road to the Oscars. Brady Corbet’s “The Brutalist,” which won Best Director, and the Special Jury Prize winner, “April” by Dea Kulumbegashvili are strong candidates. Perhaps, we will finally see five-time Academy Award nominee Nicole Kidman win her second statuette, following her Best Actress win at the festival for “Babygirl.”